00:00	Drum intro.
00:02	A Section: Bechet enters with the melody on soprano saxophonefour measures.
00:05	Collective improvisationtwo bars.
00:07	Solo break, with Bechet alone introducing the next two- measure phrase.
00:09	Everyone enters for the first of two four-bar phrases to end the chorus.
00:12	Final four-bar phrase starts with a trill on the saxophone.
00:16	Section A repeats: Call-and-response between the trumpet and saxophone.
00:21	Another solo break for Bechet.
00:26	Collective improvisation increases.
00:30	B Section: 16 bars of a saxophone solo for Bechet. Notice how the other horn players play a rhythmic riff behind the solo. Notice the 2/4 jazz beat in the piano left hand. 
00:44	Second chorus of Bechets solo. He uses material from the original melody in his solo.
00:59	(C Section): 16 bars of a piano solo. Notice the stride style played by the pianist, with a syncopated melodic style against the rapid left-hand pattern.
01:13	Second chorus of the piano solo.				
01:27	A Section returns.
01:32	Solo break. Notice it is different from the early ones.
01:33	Other players join for the two final 4 bar phrases.
01:41	(Section D): All the horn players improvise collectively. Notice how they exchange melodic leadership. Bechet is most prominent in this chorus.
01:55	Second improvised chorus, the leadership moves more toward the trumpet player.
02:09	Third chorus:
02:23	Fourth chorus. Notice the riff by the other horn players behind the high long notes played by Bechet.
02:38	Final chorus of improvisation begins with a new riff that features Bechet.
02:55	End.
